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Percussion Instruments Through the Ages
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by: DavidZed
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Word Count: 576
Anthropologists and historians repeatedly speculate that percussion instruments were the first musical apparatus ever came into being. But with the utmost certainty, the human voice was the first musical instrument, and surely, percussion tools such as feet, hands, rocks, sticks and logs came in second to the on-going evolution of music. When humans developed tools for hunting and agriculture, their knowledge along side with skill, enabled them to produce more complex tools. They use slit drum, made from a hollowed-out tree trunk. For instance, a simple log may have been shaped to generate louder tones (log drum) and may have been pooled to create numerous tones (set of log drums).
Percussion instruments became much more sophisticated after most of mankind settled into agrarian communities and people found themselves with more time on their hands. Percussion instruments became part of religious beliefs, communication devices and tools for creative expression. By 1000 AD and in some cases far earlier, seed rattles and other instruments were used in Micronesia and Australia, djembes and kalimbas in Africa, maracas and drums in the Americas and gongs, chimes and even xylophones in Asia.
Many of the percussion instruments were familiar with in the western world come from the Balkans, the Levant and elsewhere in the near east. European percussion instruments advanced with the import of drums and other instruments brought back by returning crusaders in the 11th to 13th centuries.
The function of percussion instruments within an orchestra or other musical ensemble varies depending on their design and size. Some instruments produce sounds which can carry melodic or harmonic roles, while others are strictly percussive in nature. Composers and arrangers usually assign the percussion and instruments in the lower register parts which make them work as a team to create a rhythmic basis for the composition.
In popular music, a rhythm section of bass and percussion is a staple of the form. While the majority of classical orchestral music is written with the primary role being given to stringed instruments, woodwinds and brass, tympanis also play a part in many compositions, largely as an accent. The rules have changed a little and listeners will find percussion claiming its share of the spotlight in some modern orchestral works.
Small percussion instruments became more popular in orchestral works of the 18th and 19th centuries, but the cymbal and triangle among others were again mostly in the background as accents to the other instruments. It was not until recently when composers began to explore the possibilities of percussion in a leading role.
In almost all types of music, percussion plays a fundamental role. In a military parade, it is the strike of the bass drum that holds the soldiers in step and at a normal speed, and it is the snare that endows that crisp, vital air to the tune of a troop. In traditional jazz, one almost instantly thinks of the distinguishing rhythm of the hi-hats or the ride cymbal when the word "swing" is uttered. In more current popular music genres, it is almost impossible to name at least three or four rock, hip-hop, rap, funk, punk, techno, grunge, alternative and blues songs that don?t have some kind of percussive beat maintaining the tune in time.
There are even musical ensembles which perform works consisting entirely of percussion instruments. The range of percussion instruments is varied enough that compositions can express melody, harmony and rhythm using only percussive elements and of course, these performances are quite a sight to behold.
Article Source: StepsIT
About the Author
David Zed is an authoritative expert on percussion instruments for over a decade.
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